Snagging the Book of the Year!

At every NAVSA, as with most academic conferences, there are tables run by academic booksellers, offering discounts on great books. This is an important practice because most academic books have small print runs and are usually only purchased by libraries. Those of us still trying to establish ourselves just don’t have the income to buy all the ones we want to buy. In addition, it’s a great opportunity to connect with editors and to discuss your own work.

At one of these tables the “book of the year” as decided by NAVSA was for sale and I managed to be the first to reserve a copy so I was lucky to bring the display copy home with me. Slow Print: Literary Radicalism and Late-Victorian Print Culture by Elizabeth Carolyn Miller was published by Stanford University Press in 2013 in a beautiful hardcover edition.

Cover of Slow Print by Elizabeth Carolyn Miller

Here’s what the publisher has to say about the book.

“This book explores the literary culture of Britain’s radical press from 1880 to 1910, a time that saw a flourishing of radical political activity as well as the emergence of a mass print industry. While Enlightenment radicals and their heirs had seen free print as an agent of revolutionary transformation, socialist, anarchist and other radicals of this later period suspected that a mass public could not exist outside the capitalist system. In response, they purposely reduced the scale of print by appealing to a small, counter-cultural audience. “Slow print,” like “slow food” today, actively resisted industrial production and the commercialization of new domains of life.

Drawing on under-studied periodicals and archives, this book uncovers a largely forgotten literary-political context. It looks at the extensive debate within the radical press over how to situate radical values within an evolving media ecology, debates that engaged some of the most famous writers of the era (William Morris and George Bernard Shaw), a host of lesser-known figures (theosophical socialist and birth control reformer Annie Besant, gay rights pioneer Edward Carpenter, and proto-modernist editor Alfred Orage), and countless anonymous others.”

The book offers an important history of the socialist movement in Britain through from the perspective of publication. Miller’s book is a solid historical study of an important moment in literary history as well.

You can purchase the book directly from Stanford University Press here

http://www.sup.org/books/title/?id=22344

In addition to Miller’s book, I also recommend some of the authors she discusses as well.

1. William Morris. You can read all of his works in their original Kelmscott editions at William Morris Archive. Follow this link http://morrisedition.lib.uiowa.edu/

Autobiographical SketchesNews from Nowhere

2. Broadview Press offers editions of William Morris’s News from Nowhere (1890) and Annie Besant’s Autobiographical Sketches (1885) Letters. Purchase those editions in print, pdf, or etext versions at this link http://www.broadviewpress.com/product.php?productid=946&cat=69&page=1

9781844674213-frontcover-max_221

3. Edward Carpenter is more challenging to find. Most of his work is now out of print. The last quality editions of his works were published by the Gay Men’s Press in the 1980s, including Towards Democracy, Love’s Coming of Age, and The Intermediate Sex. If you can find an edition at second-hand book shops, that would be much better than the print on demand stuff available on Amazon. His work is out of copyright so The Internet Archive would be a good source too – check out the link to your right on this site. Finally, there is The Edward Carpenter Archive. http://edwardcarpenter.net/ – this site offers versions of some of his work in full text. Others, only highlights. It’s a start. If you want to know more about the man, then I recommend the recent autobiography by Sheila Rowbotham, Edward Carpenter: A Life of Liberty and Love (2009) which can be purchased directly from the publisher, Verso, here  http://www.versobooks.com/books/430-edward-carpenter

That’s all for now. Keep reading!

Vickie and Eddie.

 

 

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Highlights from NAVSA 2014: the work of Dr. Linda M. Shires

I had the opportunity to attend my first conference of the North American Victorian Studies Association this year and I had the pleasure of attending some fantastic panels where a wide array of scholars spoke about their diverse research. I want to tell you about a few of them. More importantly, I want to introduce you to their work so that you have an opportunity to read it in a more accessible form.

The first scholar I want to mention is Linda M. Shires, David and Ruth Gottesman Professor of English and Co-Chair of the Department of English at Stern College, Yeshiva University. Dr. Shires’ paper, “Three Text-Image Relationships in Wessex Poems and Cognitive Styles,” looked at the illustrations that Thomas Hardy prepared and incorporated into the first edition of the Wessex Poems (1898). Shires read the images in relation to the poems and offered new insight into both the images and the poetry. Her point was that the images were part of the creative work that Hardy presented in the book and argued that the book of poems should be studied as a total work of art with poetics and visual art interacting. What I appreciated in the paper was her persistence in arguing an actual thesis. Her thesis spoke to the subjective experience of reading and the many different readings that could occur when different people look at the same book of poems. Her use of neuro-science deepened her argument without taking over the paper.

Throughout her talk, I found myself writing copious notes, trying to remember the many names she used to support her work. As a researcher of book history, I was particularly engaged with her work and the opportunity she opens for bibliographical analysis and close reading to work together.

With that in mind, I want to mention a few of her published works so that you too can have the opportunity to read great scholarship.

Her most recent monograph is Perspectives: Modes of Viewing and Knowing in Nineteenth-Century England (Ohio State University Press, 2009). The book can be purchased directly from the publisher here: https://ohiostatepress.org/index.htm?books/book%20pages/shires%20perspectives.html

She also edited Rewriting the Victorians: Theory, History, and the Politics of Gender (Routledge, 2012). The book can be purchased directly from the publisher here: http://www.routledge.com/books/details/9780415521734/

Dr. Shires Wrote the Introduction and Notes for the Penguin Classics edition of Thomas Hardy’s The Trumpet Major (Penguin 1988). The edition can be purchased directly from Penguin here: http://www.penguinclassics.co.uk/books/the-trumpet-major/9780140435405/

Her articles include “Hardy’s Memorial Art: Image and Text in Wessex Poems.” Victorian Literature and Culture 41.4 (2013); Hardy’s Browning: Refashioning the Lyric” Victorian Poetry 50.4 (2012); and “Browning’s Gifts” SEL Studies in English Literature, 1500-1900 48.4 (2008).

Linda M. Shires is an established and knowledgeable scholar of Victorian poetry and if you have not had the chance to read her work, I highly recommend you spend some time reading one of more of the above.

Thanks again Vickie and Eddie readers. There will be more ramblings to come. Keep reading the 19th century!